| 1. Amor, che sol dei cor leggiadri ha cura | Philippe de Monte | 174 | 1:43 | 1.9 | 2 |
| 1. Select Divisions upon a Ground | Mr. Reddings | 337 | 2:12 | 3.7 | 1 |
| 10. Io so, che non m'inganna sogno, od ombra (seconda parte) | Philippe de Monte | 137 | 1:40 | 2.0 | 2 |
| 100 Etudes | Hans Sitt | 229 | 4:32 | 1.0 | 1 |
| 100 Etudes · No. 1 | Hans Sitt | 355 | 4:04 | 1.9 | 1 |
| 100 Etudes · No. 10 | Hans Sitt | 548 | 3:00 | 3.7 | 1 |
| 100 Etudes · No. 11 | Hans Sitt | 384 | 3:06 | 2.3 | 1 |
| 100 Etudes · No. 12 | Hans Sitt | 524 | 3:11 | 3.2 | 1 |
| 100 Etudes · No. 13 | Hans Sitt | 540 | 3:24 | 3.6 | 1 |
| 100 Etudes · No. 14 | Hans Sitt | 477 | 2:35 | 4.1 | 1 |
| 100 Etudes · No. 15 | Hans Sitt | 569 | 3:13 | 3.1 | 1 |
| 100 Etudes · No. 16 | Hans Sitt | 613 | 2:34 | 4.1 | 1 |
| 100 Etudes · No. 17 | Hans Sitt | 592 | 2:37 | 4.1 | 1 |
| 100 Etudes · No. 18 | Hans Sitt | 754 | 3:16 | 4.1 | 1 |
| 100 Etudes · No. 19 | Hans Sitt | 629 | 2:40 | 4.1 | 1 |
| 100 Etudes · No. 2 | Hans Sitt | 334 | 3:30 | 1.9 | 1 |
| 100 Etudes · No. 3 | Hans Sitt | 307 | 4:31 | 1.7 | 1 |
| 100 Etudes · No. 4 | Hans Sitt | 285 | 2:23 | 2.1 | 1 |
| 100 Etudes · No. 5 | Hans Sitt | 468 | 3:53 | 2.1 | 1 |
| 100 Etudes · No. 6 | Hans Sitt | 599 | 3:27 | 3.1 | 1 |
| 100 Etudes · No. 7 | Hans Sitt | 294 | 3:11 | 1.8 | 1 |
| 100 Etudes · No. 8 | Hans Sitt | 420 | 3:17 | 2.8 | 1 |
| 100 Etudes · No. 9 | Hans Sitt | 612 | 2:37 | 4.1 | 1 |
| 11. Non vedete voi donna il mio tormento? | Philippe de Monte | 174 | 2:12 | 2.1 | 2 |
| 12 Duets (No. 1: Allegro) · KV 487 | Wolfgang Amadeus Mozart | 114 | 0:42 | 3.0 | 2 |
| 12 Duets (No. 10: Andante) · KV 487 | Wolfgang Amadeus Mozart | 72 | 0:54 | 1.4 | 2 |
| 12 Duets (No. 11: Menuetto) · KV 487 | Wolfgang Amadeus Mozart | 122 | 0:46 | 2.7 | 2 |
| 12 Duets (No. 12: Allegro) · KV 487 | Wolfgang Amadeus Mozart | 160 | 0:50 | 3.9 | 2 |
| 12 Duets (No. 2: Menuetto) · KV 487 | Wolfgang Amadeus Mozart | 101 | 1:04 | 1.8 | 2 |
| 12 Duets (No. 3: Andante) · KV 487 | Wolfgang Amadeus Mozart | 162 | 1:18 | 2.6 | 2 |
| 12 Duets (No. 4: Polonaise) · KV 487 | Wolfgang Amadeus Mozart | 189 | 0:54 | 3.6 | 3 |
| 12 Duets (No. 5: Larghetto) · KV 487 | Wolfgang Amadeus Mozart | 82 | 1:03 | 1.6 | 2 |
| 12 Duets (No. 6: Menuetto) · KV 487 | Wolfgang Amadeus Mozart | 239 | 1:22 | 3.6 | 2 |
| 12 Duets (No. 7: Adagio) · KV 487 | Wolfgang Amadeus Mozart | 90 | 1:10 | 1.7 | 2 |
| 12 Duets (No. 8: Allegro) · KV 487 | Wolfgang Amadeus Mozart | 145 | 0:56 | 2.8 | 2 |
| 12 Duets (No. 9: Menuetto) · KV 487 | Wolfgang Amadeus Mozart | 117 | 1:13 | 1.8 | 2 |
| 12 Etudes, No. 1 · Op. 6 No. 1 | Fernando Sor | 517 | 2:10 | 4.1 | 3 |
| 12 Etudes, No. 10 · Op. 6 No. 10 | Fernando Sor | 814 | 2:59 | 5.0 | 4 |
| 12 Etudes, No. 11 · Op. 6 No. 11 | Fernando Sor | 1,066 | 4:40 | 4.0 | 1 |
| 12 Etudes, No. 12 · Op. 6 No. 12 | Fernando Sor | 916 | 3:24 | 5.3 | 4 |
| 12 Etudes, No. 2 · Op. 6 No. 2 | Fernando Sor | 192 | 0:42 | 4.6 | 3 |
| 12 Etudes, No. 3 · Op. 6 No. 3 | Fernando Sor | 482 | 2:09 | 4.2 | 4 |
| 12 Etudes, No. 4 · Op. 6 No. 4 | Fernando Sor | 437 | 1:55 | 4.6 | 4 |
| 12 Etudes, No. 5 · Op. 6 No. 5 | Fernando Sor | 559 | 2:16 | 4.3 | 1 |
| 12 Etudes, No. 6 · Op. 6 No. 6 | Fernando Sor | 824 | 2:47 | 5.7 | 4 |
| 12 Etudes, No. 7 · Op. 6 No. 7 | Fernando Sor | 867 | 3:38 | 4.6 | 3 |
| 12 Etudes, No. 8 · Op. 6 No. 8 | Fernando Sor | 295 | 1:19 | 4.4 | 4 |
| 12 Etudes, No. 9 · Op. 6 No. 9 | Fernando Sor | 872 | 3:08 | 5.7 | 4 |
| 12-tone blues | R. Papezik | 168 | 0:42 | 4.1 | 1 |
| 12. Volentier canterei de vostri honori | Philippe de Monte | 211 | 2:31 | 2.2 | 2 |
| 13. A Prelude for the Violin | Thomas Baltzar | 455 | 1:33 | 6.4 | 2 |
| 13. O chi potra mai ben chiuder'in versi | Philippe de Monte | 165 | 1:56 | 1.8 | 2 |
| 14 Canons - 1 · BWV 1087 | Johann Sebastian Bach | 24 | 0:33 | 0.7 | 2 |
| 14 Canons - 1 · BWV 1087 · Version 2 | Johann Sebastian Bach | 46 | 0:33 | 1.6 | 3 |
| 14 Canons - 10 · BWV 1087 | Johann Sebastian Bach | 84 | 0:33 | 2.7 | 3 |
| 14 Canons - 11 · BWV 1087 | Johann Sebastian Bach | 64 | 0:33 | 2.1 | 3 |
| 14 Canons - 12 · BWV 1087 | Johann Sebastian Bach | 88 | 0:48 | 2.8 | 3 |
| 14 Canons - 13 · BWV 1087 | Johann Sebastian Bach | 88 | 1:31 | 1.0 | 2 |
| 14 Canons - 14 · BWV 1087 | Johann Sebastian Bach | 194 | 0:59 | 4.1 | 3 |
| 14 Canons - 2 · BWV 1087 | Johann Sebastian Bach | 24 | 0:33 | 1.0 | 2 |
| 14 Canons - 2 · BWV 1087 · Version 2 | Johann Sebastian Bach | 48 | 0:33 | 1.6 | 3 |
| 14 Canons - 3 · BWV 1087 | Johann Sebastian Bach | 24 | 0:25 | 1.0 | 2 |
| 14 Canons - 3 · BWV 1087 · Version 2 | Johann Sebastian Bach | 44 | 0:25 | 1.8 | 3 |
| 14 Canons - 4 · BWV 1087 | Johann Sebastian Bach | 20 | 0:21 | 1.0 | 2 |
| 14 Canons - 4 · BWV 1087 · Version 2 | Johann Sebastian Bach | 32 | 0:21 | 1.5 | 3 |
| 14 Canons - 5 · BWV 1087 | Johann Sebastian Bach | 80 | 0:25 | 3.2 | 3 |
| 14 Canons - 6 · BWV 1087 | Johann Sebastian Bach | 63 | 0:25 | 2.5 | 3 |
| 14 Canons - 7 · BWV 1087 | Johann Sebastian Bach | 88 | 0:33 | 2.8 | 3 |
| 14 Canons - 8 · BWV 1087 | Johann Sebastian Bach | 54 | 0:29 | 2.0 | 2 |
| 14 Canons - 9 · BWV 1087 | Johann Sebastian Bach | 133 | 0:33 | 4.2 | 3 |
| 14 Canons · BWV 1087 · Quartet | Johann Sebastian Bach | 24 | 0:33 | 0.7 | 2 |
| 14 Canons · BWV 1087 · Quartet 1 | Johann Sebastian Bach | 24 | 0:33 | 1.0 | 2 |
| 14 Canons · BWV 1087 · Quartet 10 | Johann Sebastian Bach | 64 | 0:33 | 2.1 | 3 |
| 14 Canons · BWV 1087 · Quartet 11 | Johann Sebastian Bach | 88 | 0:48 | 2.8 | 3 |
| 14 Canons · BWV 1087 · Quartet 12 | Johann Sebastian Bach | 88 | 1:31 | 1.0 | 2 |
| 14 Canons · BWV 1087 · Quartet 13 | Johann Sebastian Bach | 194 | 0:59 | 4.1 | 3 |
| 14 Canons · BWV 1087 · Quartet 2 | Johann Sebastian Bach | 24 | 0:25 | 1.0 | 2 |
| 14 Canons · BWV 1087 · Quartet 3 | Johann Sebastian Bach | 20 | 0:21 | 1.0 | 2 |
| 14 Canons · BWV 1087 · Quartet 4 | Johann Sebastian Bach | 80 | 0:25 | 3.2 | 3 |
| 14 Canons · BWV 1087 · Quartet 5 | Johann Sebastian Bach | 63 | 0:25 | 2.5 | 3 |
| 14 Canons · BWV 1087 · Quartet 6 | Johann Sebastian Bach | 88 | 0:33 | 2.8 | 3 |
| 14 Canons · BWV 1087 · Quartet 7 | Johann Sebastian Bach | 54 | 0:29 | 2.0 | 2 |
| 14 Canons · BWV 1087 · Quartet 8 | Johann Sebastian Bach | 133 | 0:33 | 4.2 | 3 |
| 14 Canons · BWV 1087 · Quartet 9 | Johann Sebastian Bach | 84 | 0:33 | 2.7 | 3 |
| 14. S'io odo alcun felice, e lieto amante | Philippe de Monte | 161 | 1:52 | 2.3 | 2 |
| 15. Vissimi un tempo in dolce foco ardendo | Philippe de Monte | 150 | 2:08 | 1.6 | 2 |
| 16. Dico, che da quel punto, ch'infiammarsi | Philippe de Monte | 133 | 1:48 | 1.9 | 2 |
| 16 Studies for the Guitar: 4 · Op. 59 No. 4 | Mauro Giuliani | 269 | 0:33 | 8.8 | 5 |
| 16 Studies for the Guitar: No. 10 · Op. 59 No. 10 | Mauro Giuliani | 282 | 0:39 | 7.9 | 4 |
| 16 Studies for the Guitar: No. 11 · Op. 59 No. 11 | Mauro Giuliani | 336 | 0:47 | 7.3 | 5 |
| 16 Studies for the Guitar: No. 12 · Op. 59 No. 12 | Mauro Giuliani | 284 | 0:55 | 5.8 | 4 |
| 16 Studies for the Guitar: No. 13 · Op. 59 No. 13 | Mauro Giuliani | 175 | 0:26 | 7.0 | 4 |
| 16 Studies for the Guitar: No. 14 · Op. 59 No. 14 | Mauro Giuliani | 270 | 1:08 | 4.5 | 3 |
| 16 Studies for the Guitar: No. 15 · Op. 59 No. 15 | Mauro Giuliani | 464 | 1:03 | 7.5 | 5 |
| 16 Studies for the Guitar: No. 16 · Op. 59 No. 16 | Mauro Giuliani | 410 | 0:52 | 8.5 | 4 |
| 16 Studies for the Guitar: No. 5 · Op. 59 No. 5 | Mauro Giuliani | 300 | 1:02 | 5.1 | 3 |
| 16 Studies for the Guitar: No. 6 · Op. 59 No. 6 | Mauro Giuliani | 287 | 0:39 | 8.2 | 5 |
| 16 Studies for the Guitar: No. 7 · Op. 59 No. 7 | Mauro Giuliani | 336 | 0:57 | 6.4 | 4 |
| 16 Studies for the Guitar: No. 8 · Op. 59 No. 8 | Mauro Giuliani | 266 | 0:44 | 6.4 | 3 |
| 16 Studies for the Guitar: No. 9 · Op. 59 No. 9 | Mauro Giuliani | 263 | 1:05 | 4.2 | 3 |
| 16 Studies for the Guitar · Op. 59 No. 1 | Mauro Giuliani | 249 | 0:42 | 5.8 | 4 |
| 16 Studies for the Guitar · Op. 59 No. 2 | Mauro Giuliani | 326 | 0:43 | 8.0 | 4 |
| 16 Studies for the Guitar · Op. 59 No. 3 | Mauro Giuliani | 292 | 1:02 | 5.8 | 4 |
| 160 Eight-Measure Exercises, No. 1 · Op. 821, No. 1 | Carl Czerny | 152 | 0:16 | 9.1 | 4 |
| 160 Eight-Measure Exercises, No. 10 · Op. 821, No. 10 | Carl Czerny | 167 | 0:08 | 19.8 | 3 |
| 160 Eight-Measure Exercises, No. 11 · Op. 821, No. 11 | Carl Czerny | 287 | 0:30 | 9.6 | 4 |
| 160 Eight-Measure Exercises, No. 12 · Op. 821, No. 12 | Carl Czerny | 161 | 0:30 | 5.6 | 3 |
| 160 Eight-Measure Exercises, No. 13 · Op. 821, No. 13 | Carl Czerny | 162 | 0:16 | 9.7 | 3 |
| 160 Eight-Measure Exercises, No. 14 · Op. 821, No. 14 | Carl Czerny | 179 | 0:12 | 14.3 | 5 |
| 160 Eight-Measure Exercises, No. 15 · Op. 821, No. 15 | Carl Czerny | 148 | 0:07 | 18.7 | 5 |
| 160 Eight-Measure Exercises, No. 16 · Op. 821, No. 16 | Carl Czerny | 149 | 0:15 | 9.6 | 3 |
| 160 Eight-Measure Exercises, No. 17 · Op. 821, No. 17 | Carl Czerny | 142 | 0:30 | 4.7 | 3 |
| 160 Eight-Measure Exercises, No. 18 · Op. 821, No. 18 | Carl Czerny | 136 | 0:18 | 7.6 | 4 |
| 160 Eight-Measure Exercises, No. 19 · Op. 821, No. 19 | Carl Czerny | 165 | 0:12 | 12.9 | 4 |
| 160 Eight-Measure Exercises, No. 2 · Op. 821, No. 2 | Carl Czerny | 112 | 0:12 | 9.1 | 5 |
| 160 Eight-Measure Exercises, No. 3 · Op. 821, No. 3 | Carl Czerny | 209 | 0:16 | 12.6 | 5 |
| 160 Eight-Measure Exercises, No. 4 · Op. 821, No. 4 | Carl Czerny | 141 | 0:12 | 11.2 | 3 |
| 160 Eight-Measure Exercises, No. 5 · Op. 821, No. 5 | Carl Czerny | 145 | 0:23 | 6.2 | 3 |
| 160 Eight-Measure Exercises, No. 6 · Op. 821, No. 6 | Carl Czerny | 180 | 0:23 | 7.7 | 4 |
| 160 Eight-Measure Exercises, No. 7 · Op. 821, No. 7 | Carl Czerny | 114 | 0:30 | 3.7 | 3 |
| 160 Eight-Measure Exercises, No. 8 · Op. 821, No. 8 | Carl Czerny | 143 | 0:16 | 8.6 | 4 |
| 160 Eight-Measure Exercises, No. 9 · Op. 821, No. 9 | Carl Czerny | 128 | 0:23 | 5.6 | 2 |
| 17. Dolce mia vita, da cui vivo & moro | Philippe de Monte | 188 | 2:04 | 2.0 | 2 |
| 18. La bocca, onde l'asprissime | Philippe de Monte | 153 | 1:52 | 1.8 | 2 |
| 18 Progressive Lessons, No. 1 · Op. 51 | Mauro Giuliani | 145 | 0:47 | 3.3 | 4 |
| 18 Progressive Lessons, No. 10 · Op. 51 | Mauro Giuliani | 288 | 0:40 | 8.2 | 5 |
| 18 Progressive Lessons, No. 2 · Op. 51 | Mauro Giuliani | 187 | 0:33 | 6.0 | 3 |
| 18 Progressive Lessons, No. 3 · Op. 51 | Mauro Giuliani | 280 | 1:00 | 4.8 | 3 |
| 18 Progressive Lessons, No. 4 · Op. 51 | Mauro Giuliani | 204 | 0:42 | 5.0 | 3 |
| 18 Progressive Lessons, No. 5 · Op. 51 | Mauro Giuliani | 275 | 0:26 | 11.0 | 5 |
| 18 Progressive Lessons, No. 6 · Op. 51 | Mauro Giuliani | 276 | 0:58 | 5.5 | 3 |
| 18 Progressive Lessons, No. 7 · Op. 51 | Mauro Giuliani | 336 | 1:04 | 5.8 | 3 |
| 18 Progressive Lessons, No. 8 · Op. 51 | Mauro Giuliani | 261 | 1:02 | 4.5 | 3 |
| 18 Progressive Lessons, No. 9 · Op. 51 | Mauro Giuliani | 343 | 0:57 | 6.2 | 3 |
| 19. A Division upon a Ground | John Banister | 690 | 4:08 | 6.2 | 1 |
| 19. Poi c'hor è dolce ogni passato scempio | Philippe de Monte | 161 | 2:00 | 1.6 | 2 |
| 2. Duke of Norfolk, or Paul's Steeple | Anonymous | 614 | 2:28 | 6.0 | 1 |
| 2. Duke of Norfolk, or Paul's Steeple · No. 1 | Anonymous | 26 | 0:17 | 1.5 | 1 |
| 2. O beata colei, ch'al fin puo dire | Philippe de Monte | 152 | 1:38 | 1.9 | 2 |
| 20. Spesso à consiglio i miei pensier convoco | Philippe de Monte | 143 | 1:52 | 1.6 | 2 |
| 21. Ahi dove (lasso me) prieghi & parole | Philippe de Monte | 138 | 1:52 | 1.6 | 2 |
| 22. Qual più scontento amante alberga in terra | Philippe de Monte | 150 | 1:56 | 1.6 | 2 |
| 23. Johnny Cock thy Beaver: A Scotch Tune to a Ground | Anonymous | 539 | 1:21 | 8.4 | 2 |
| 23. Johnny Cock thy Beaver: A Scotch Tune to a Ground · No. 1 | Anonymous | 147 | 1:19 | 2.1 | 1 |
| 23. Ove lontan da la mia fida luce (prima parte) | Philippe de Monte | 162 | 2:00 | 1.8 | 2 |
| 24 Caprices for Solo Violin: 01 · O 1 | Niccolò Paganini | 1,242 | 2:33 | 10.0 | 4 |
| 24 Caprices for Solo Violin: 02 · O 1 | Niccolò Paganini | 1,450 | 5:52 | 5.5 | 1 |
| 24 Caprices for Solo Violin: 03 · O 1 | Niccolò Paganini | 856 | 4:51 | 4.1 | 3 |
| 24 Caprices for Solo Violin: 23 · O 1 | Niccolò Paganini | 1,632 | 3:28 | 14.4 | 4 |
| 24 Caprices for Solo Violin: 24 · O 1 | Niccolò Paganini | 1,470 | 2:12 | 18.5 | 4 |
| 24. Così d'un Olmo sospirando a l'ombra (seconda parte) | Philippe de Monte | 128 | 1:40 | 1.8 | 2 |
| 24 Studies for the Guitar, No. 1 · Op. 100 | Mauro Giuliani | 129 | 0:23 | 5.4 | 2 |
| 24 Studies for the Guitar, No. 10 · Op. 100 | Mauro Giuliani | 378 | 1:02 | 6.2 | 2 |
| 24 Studies for the Guitar, No. 11 · Op. 100 | Mauro Giuliani | 524 | 1:23 | 6.6 | 2 |
| 24 Studies for the Guitar, No. 12 · Op. 100 | Mauro Giuliani | 544 | 1:26 | 6.5 | 2 |
| 24 Studies for the Guitar, No. 13 · Op. 100 | Mauro Giuliani | 493 | 2:30 | 3.8 | 1 |
| 24 Studies for the Guitar, No. 14 · Op. 100 | Mauro Giuliani | 557 | 1:20 | 7.1 | 2 |
| 24 Studies for the Guitar, No. 15 · Op. 100 | Mauro Giuliani | 630 | 1:49 | 7.6 | 2 |
| 24 Studies for the Guitar, No. 16 · Op. 100 | Mauro Giuliani | 785 | 1:37 | 8.8 | 4 |
| 24 Studies for the Guitar, No. 17 · Op. 100 | Mauro Giuliani | 91 | 0:15 | 5.9 | 4 |
| 24 Studies for the Guitar, No. 18 · Op. 100 | Mauro Giuliani | 189 | 0:22 | 8.3 | 2 |
| 24 Studies for the Guitar, No. 19 · Op. 100 | Mauro Giuliani | 203 | 0:31 | 6.8 | 2 |
| 24 Studies for the Guitar, No. 2 · Op. 100 | Mauro Giuliani | 232 | 1:03 | 3.8 | 1 |
| 24 Studies for the Guitar, No. 20 · Op. 100 | Mauro Giuliani | 145 | 0:23 | 6.2 | 3 |
| 24 Studies for the Guitar, No. 21 · Op. 100 | Mauro Giuliani | 118 | 0:20 | 5.9 | 4 |
| 24 Studies for the Guitar, No. 22 · Op. 100 | Mauro Giuliani | 298 | 0:46 | 6.7 | 2 |
| 24 Studies for the Guitar, No. 23 · Op. 100 | Mauro Giuliani | 344 | 0:54 | 6.7 | 2 |
| 24 Studies for the Guitar, No. 24 · Op. 100 | Mauro Giuliani | 488 | 1:24 | 6.2 | 2 |
| 24 Studies for the Guitar, No. 3 · Op. 100 | Mauro Giuliani | 249 | 0:39 | 6.7 | 2 |
| 24 Studies for the Guitar, No. 4 · Op. 100 | Mauro Giuliani | 412 | 1:02 | 6.8 | 4 |
| 24 Studies for the Guitar, No. 5 · Op. 100 | Mauro Giuliani | 328 | 0:50 | 6.8 | 2 |
| 24 Studies for the Guitar, No. 6 · Op. 100 | Mauro Giuliani | 244 | 0:38 | 6.5 | 2 |
| 24 Studies for the Guitar, No. 7 · Op. 100 | Mauro Giuliani | 388 | 1:01 | 6.5 | 2 |
| 24 Studies for the Guitar, No. 8 · Op. 100 | Mauro Giuliani | 187 | 0:52 | 3.7 | 1 |
| 24 Studies for the Guitar, No. 9 · Op. 100 | Mauro Giuliani | 268 | 0:40 | 6.8 | 2 |
| 25 Leçons Progressives, no 1 · O 60 | Fernando Sor | 63 | 0:23 | 2.7 | 3 |
| 25 Leçons Progressives, no 2 · O 60 | Fernando Sor | 135 | 0:59 | 2.4 | 1 |
| 25 Leçons Progressives, no 3 · O 60 | Fernando Sor | 115 | 0:35 | 3.4 | 1 |
| 25 Leçons Progressives, no 4 · O 60 | Fernando Sor | 107 | 0:27 | 4.0 | 1 |
| 25 Leçons Progressives, no 5 · O 60 | Fernando Sor | 211 | 1:29 | 2.6 | 1 |
| 25 Progressive Studies, No. 10 | Fernando Sor | 121 | 0:48 | 2.7 | 1 |
| 25 Progressive Studies, No. 11 | Fernando Sor | 177 | 1:11 | 2.7 | 1 |
| 25 Progressive Studies, No. 12 | Fernando Sor | 149 | 0:37 | 4.4 | 3 |
| 25 Progressive Studies, No. 13 | Fernando Sor | 167 | 0:36 | 4.6 | 3 |
| 25 Progressive Studies, No. 6 | Fernando Sor | 141 | 0:48 | 3.0 | 3 |
| 25 Progressive Studies, No. 7 | Fernando Sor | 189 | 0:44 | 4.7 | 3 |
| 25 Progressive Studies, No. 8 | Fernando Sor | 81 | 0:47 | 1.8 | 3 |
| 25 Progressive Studies, No. 9 | Fernando Sor | 125 | 0:47 | 2.7 | 1 |
| 25. Quel desir, c'hebbi in sù la vista prima | Philippe de Monte | 151 | 1:48 | 1.7 | 2 |
| 25 Studies: No. 13 · O 60 | Matteo Carcassi | 336 | 0:55 | 6.2 | 2 |
| 25 Studies: No. 14 · O 60 | Matteo Carcassi | 342 | 0:48 | 7.7 | 4 |
| 25 Studies: No. 16 · O 60 | Matteo Carcassi | 280 | 0:41 | 6.9 | 3 |
| 25 Studies: No. 17 · O 60 | Matteo Carcassi | 368 | 0:58 | 7.0 | 3 |
| 25 Studies: No. 18 · O 60 | Matteo Carcassi | 283 | 0:43 | 6.8 | 3 |
| 25 Studies: No. 19 · O 60 | Matteo Carcassi | 455 | 1:04 | 7.3 | 4 |
| 25 Studies: No. 20 · O 60 | Matteo Carcassi | 376 | 1:03 | 6.1 | 2 |
| 25 Studies: No. 21 · O 60 | Matteo Carcassi | 510 | 1:02 | 9.0 | 5 |
| 25 Studies: No. 22 · O 60 | Matteo Carcassi | 409 | 1:08 | 6.2 | 2 |
| 25 Studies: No. 23 · O 60 | Matteo Carcassi | 405 | 1:40 | 4.4 | 3 |
| 25 Studies: No. 24 · O 60 | Matteo Carcassi | 691 | 1:29 | 8.8 | 5 |
| 25 Studies: No. 25 · O 60 | Matteo Carcassi | 860 | 2:10 | 7.4 | 2 |
| 26. Piango, che Amor con disusato oltraggio | Philippe de Monte | 148 | 2:12 | 1.6 | 2 |
| 27. Greensleeves to a Ground with Division | Anonymous | 798 | 4:32 | 4.5 | 1 |
| 27. Satiati Amor, ch'à piu doglioso amante | Philippe de Monte | 165 | 2:04 | 1.9 | 2 |
| 28. Ardo, sospiro, & piango, & sì mi piace (prima parte) | Philippe de Monte | 139 | 2:04 | 1.5 | 2 |
| 28 melodische Übungsstücke (No. 1) · Op. 149 | Anton Diabelli | 616 | 1:44 | 6.3 | 4 |
| 28 melodische Übungsstücke (No. 10) · Op. 149 | Anton Diabelli | 1,492 | 2:56 | 11.1 | 5 |
| 28 melodische Übungsstücke (No. 11) · Op. 149 | Anton Diabelli | 569 | 0:54 | 11.5 | 5 |
| 28 melodische Übungsstücke (No. 12) · Op. 149 | Anton Diabelli | 708 | 0:53 | 13.8 | 5 |
| 28 melodische Übungsstücke (No. 13) · Op. 149 | Anton Diabelli | 667 | 1:00 | 12.8 | 5 |
| 28 melodische Übungsstücke (No. 14) · Op. 149 | Anton Diabelli | 874 | 0:47 | 19.0 | 5 |
| 28 melodische Übungsstücke (No. 14) · Op. 149 · No. 1 | Anton Diabelli | 850 | 0:47 | 18.2 | 5 |
| 28 melodische Übungsstücke (No. 15) · Op. 149 | Anton Diabelli | 1,526 | 2:43 | 12.6 | 5 |
| 28 melodische Übungsstücke (No. 16) · Op. 149 | Anton Diabelli | 1,146 | 2:03 | 9.9 | 5 |
| 28 melodische Übungsstücke (No. 16) · Op. 149 · No. 1 | Anton Diabelli | 776 | 0:47 | 16.6 | 5 |
| 28 melodische Übungsstücke (No. 17) · Op. 149 | Anton Diabelli | 1,170 | 1:42 | 12.8 | 5 |
| 28 melodische Übungsstücke (No. 18) · Op. 149 | Anton Diabelli | 684 | 2:03 | 6.4 | 3 |
| 28 melodische Übungsstücke (No. 19) · Op. 149 | Anton Diabelli | 689 | 1:08 | 11.0 | 5 |
| 28 melodische Übungsstücke (No. 2) · Op. 149 | Anton Diabelli | 587 | 1:36 | 6.9 | 4 |
| 28 melodische Übungsstücke (No. 20) · Op. 149 | Anton Diabelli | 654 | 0:54 | 12.4 | 5 |
| 28 melodische Übungsstücke (No. 21) · Op. 149 | Anton Diabelli | 1,329 | 2:03 | 12.3 | 5 |
| 28 melodische Übungsstücke (No. 22) · Op. 149 | Anton Diabelli | 539 | 1:00 | 9.9 | 5 |
| 28 melodische Übungsstücke (No. 23) · Op. 149 | Anton Diabelli | 1,392 | 1:47 | 14.6 | 5 |
| 28 melodische Übungsstücke (No. 24) · Op. 149 | Anton Diabelli | 1,017 | 1:41 | 10.9 | 5 |
| 28 melodische Übungsstücke (No. 25) · Op. 149 | Anton Diabelli | 1,158 | 1:35 | 13.9 | 5 |
| 28 melodische Übungsstücke (No. 26) · Op. 149 | Anton Diabelli | 1,132 | 1:35 | 12.4 | 5 |
| 28 melodische Übungsstücke (No. 27) · Op. 149 | Anton Diabelli | 930 | 1:48 | 9.2 | 5 |
| 28 melodische Übungsstücke (No. 28) · Op. 149 | Anton Diabelli | 1,128 | 1:24 | 14.6 | 5 |
| 28 melodische Übungsstücke (No. 3) · Op. 149 | Anton Diabelli | 948 | 1:28 | 12.8 | 5 |
| 28 melodische Übungsstücke (No. 4) · Op. 149 | Anton Diabelli | 751 | 1:19 | 10.1 | 5 |
| 28 melodische Übungsstücke (No. 5) · Op. 149 | Anton Diabelli | 803 | 1:06 | 16.0 | 5 |
| 28 melodische Übungsstücke (No. 6) · Op. 149 | Anton Diabelli | 854 | 1:35 | 9.4 | 5 |
| 28 melodische Übungsstücke (No. 6) · Op. 149 · No. 1 | Anton Diabelli | 394 | 0:47 | 8.6 | 5 |
| 28 melodische Übungsstücke (No. 7) · Op. 149 | Anton Diabelli | 1,422 | 1:19 | 19.3 | 5 |
| 28 melodische Übungsstücke (No. 7) · Op. 149 · No. 1 | Anton Diabelli | 794 | 1:03 | 13.1 | 5 |
| 28 melodische Übungsstücke (No. 8) · Op. 149 | Anton Diabelli | 874 | 1:30 | 11.1 | 5 |
| 28 melodische Übungsstücke (No. 9) · Op. 149 | Anton Diabelli | 740 | 1:06 | 13.0 | 5 |
| 28. Nun komm, der Heiden Heiland. | Johann Sebastian Bach | 78 | 0:32 | 2.5 | 3 |
| 29. Et son del mio languir così contento (seconda parte) | Philippe de Monte | 117 | 1:36 | 1.8 | 2 |
| 3. Mr. Powlwheel's Division on a Ground | Mr. Powlwheel | 680 | 2:10 | 8.0 | 2 |
| 3. Mr. Powlwheel's Division on a Ground · No. 1 | Mr. Powlwheel | 32 | 0:21 | 1.5 | 1 |
| 3. Oime dov'è'l mio core? | Philippe de Monte | 159 | 1:34 | 2.1 | 2 |
| 3. Satz aus der Sonate in G-Dur | Georg Benda | 463 | 2:00 | 4.4 | 3 |
| 4. Chi non sà come altrui duo chiari lumi | Philippe de Monte | 137 | 1:20 | 2.1 | 2 |
| 4. Old Simon the King | Anonymous | 560 | 3:36 | 3.7 | 1 |
| 4 Romantic Pieces, Op. 4 · Piano | Antonín Dvořák | 585 | 3:00 | 3.6 | 3 |
| 4 Romantic Pieces, Op. 4 · Piano 1 | Antonín Dvořák | 638 | 2:32 | 5.4 | 5 |
| 4 Romantic Pieces, Op. 4 · Piano 2 | Antonín Dvořák | 544 | 3:05 | 3.1 | 2 |
| 4 Romantic Pieces, Op. 4 · Piano 3 | Antonín Dvořák | 663 | 2:58 | 4.4 | 2 |
| 4 Romantic Pieces, Op. 4 · Score | Antonín Dvořák | 585 | 3:00 | 3.6 | 3 |
| 4 Romantic Pieces, Op. 4 · Score 1 | Antonín Dvořák | 638 | 2:32 | 5.5 | 5 |
| 4 Romantic Pieces, Op. 4 · Score 2 | Antonín Dvořák | 544 | 3:05 | 3.1 | 2 |
| 4 Romantic Pieces, Op. 4 · Score 3 | Antonín Dvořák | 663 | 2:58 | 4.5 | 4 |
| 5. Faronell's Division on a Ground | Michel Farinel | 556 | 5:20 | 2.9 | 1 |
| 5. Faronell's Division on a Ground · No. 1 | Michel Farinel | 27 | 0:22 | 1.2 | 1 |
| 5. Vostro fui, vostro son, e sarò vostro | Philippe de Monte | 151 | 1:28 | 1.9 | 2 |
| 50 Melodische Übungsstücke, No. 1 · Op. 840, No. 1 | Carl Czerny | 450 | 0:54 | 10.4 | 5 |
| 50 Melodische Übungsstücke, No. 10 · Op. 840, No. 10 | Carl Czerny | 600 | 1:02 | 10.4 | 5 |
| 50 Melodische Übungsstücke, No. 2 · Op. 840, No. 2 | Carl Czerny | 498 | 0:48 | 10.8 | 4 |
| 50 Melodische Übungsstücke, No. 3 · Op. 840, No. 3 | Carl Czerny | 410 | 0:55 | 9.2 | 5 |
| 50 Melodische Übungsstücke, No. 4 · Op. 840, No. 4 | Carl Czerny | 567 | 1:08 | 9.5 | 5 |
| 50 Melodische Übungsstücke, No. 5 · Op. 840, No. 5 | Carl Czerny | 579 | 0:56 | 12.1 | 4 |
| 50 Melodische Übungsstücke, No. 6 · Op. 840, No. 6 | Carl Czerny | 463 | 0:42 | 11.1 | 4 |
| 50 Melodische Übungsstücke, No. 7 · Op. 840, No. 7 | Carl Czerny | 496 | 0:48 | 11.4 | 5 |
| 50 Melodische Übungsstücke, No. 8 · Op. 840, No. 8 | Carl Czerny | 387 | 0:31 | 12.7 | 4 |
| 50 Melodische Übungsstücke, No. 9 · Op. 840, No. 9 | Carl Czerny | 496 | 0:47 | 11.4 | 4 |
| 6 Duetti a Due Viole: No. 1 · Rolla 6duos 1 Score | Alessandro Rolla | 783 | 4:11 | 4.3 | 3 |
| 6 Duetti a Due Viole: No. 1 · Rolla 6duos 1 Score 1 | Alessandro Rolla | 349 | 1:03 | 6.6 | 3 |
| 6 Duetti a Due Viole: No. 2 · Rolla 6duos 2 Score | Alessandro Rolla | 1,054 | 5:33 | 4.6 | 4 |
| 6 Duetti a Due Viole: No. 2 · Rolla 6duos 2 Score 1 | Alessandro Rolla | 911 | 3:40 | 5.8 | 3 |
| 6. Ne pur si duro esilio & lontanza | Philippe de Monte | 150 | 1:40 | 1.7 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 1 | G. Kopprasch | 120 | 1:48 | 1.3 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 10 | G. Kopprasch | 220 | 1:20 | 2.9 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 11 | G. Kopprasch | 81 | 0:55 | 1.6 | 3 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 12 | G. Kopprasch | 328 | 1:09 | 5.2 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 13 | G. Kopprasch | 212 | 1:10 | 3.1 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 14 | G. Kopprasch | 358 | 1:32 | 4.4 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 15 | G. Kopprasch | 175 | 0:52 | 3.8 | 3 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 16 | G. Kopprasch | 347 | 1:06 | 5.5 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 17 | G. Kopprasch | 198 | 1:13 | 2.8 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 18 | G. Kopprasch | 240 | 0:43 | 5.6 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 19 | G. Kopprasch | 506 | 2:10 | 4.3 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 2 | G. Kopprasch | 106 | 1:33 | 1.2 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 20 | G. Kopprasch | 174 | 2:21 | 1.4 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 21 | G. Kopprasch | 437 | 2:32 | 3.4 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 22 | G. Kopprasch | 206 | 1:34 | 2.6 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 23 | G. Kopprasch | 214 | 2:15 | 1.7 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 24 | G. Kopprasch | 404 | 1:39 | 4.6 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 25 | G. Kopprasch | 236 | 1:09 | 3.7 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 26 | G. Kopprasch | 263 | 1:00 | 4.6 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 27 | G. Kopprasch | 303 | 0:59 | 5.5 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 28 | G. Kopprasch | 219 | 1:35 | 2.4 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 29 | G. Kopprasch | 220 | 1:45 | 2.9 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 3 | G. Kopprasch | 198 | 1:29 | 2.4 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 30 | G. Kopprasch | 486 | 1:29 | 5.8 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 31 | G. Kopprasch | 512 | 2:00 | 4.6 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 32 | G. Kopprasch | 239 | 2:15 | 2.1 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 33 | G. Kopprasch | 190 | 1:35 | 2.1 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 34 | G. Kopprasch | 539 | 2:00 | 5.2 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 35 | G. Kopprasch | 523 | 2:51 | 3.8 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 36 | G. Kopprasch | 446 | 1:41 | 4.7 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 37 | G. Kopprasch | 435 | 2:03 | 3.8 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 38 | G. Kopprasch | 576 | 2:53 | 4.0 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 39 | G. Kopprasch | 390 | 1:15 | 5.3 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 4 | G. Kopprasch | 218 | 0:42 | 5.1 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 40 | G. Kopprasch | 292 | 1:23 | 3.7 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 41 | G. Kopprasch | 241 | 0:45 | 5.4 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 42 | G. Kopprasch | 334 | 1:56 | 3.1 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 43 | G. Kopprasch | 286 | 1:14 | 4.0 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 44 | G. Kopprasch | 750 | 4:14 | 4.3 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 45 | G. Kopprasch | 298 | 1:32 | 4.8 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 46 | G. Kopprasch | 365 | 1:57 | 4.0 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 47 | G. Kopprasch | 304 | 1:02 | 5.0 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 48 | G. Kopprasch | 285 | 1:19 | 4.0 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 49 | G. Kopprasch | 304 | 5:30 | 1.6 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 5 | G. Kopprasch | 344 | 1:25 | 4.7 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 50 | G. Kopprasch | 372 | 1:11 | 5.5 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 51 | G. Kopprasch | 308 | 0:55 | 5.8 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 52 | G. Kopprasch | 546 | 2:04 | 5.7 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 53 | G. Kopprasch | 250 | 2:06 | 3.0 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 54 | G. Kopprasch | 434 | 1:13 | 6.2 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 55 | G. Kopprasch | 390 | 2:05 | 4.3 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 56 | G. Kopprasch | 364 | 1:36 | 4.1 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 57 | G. Kopprasch | 362 | 2:26 | 2.7 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 58 | G. Kopprasch | 504 | 1:47 | 5.0 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 59 | G. Kopprasch | 360 | 1:40 | 5.2 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 6 | G. Kopprasch | 196 | 0:36 | 5.5 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 60 | G. Kopprasch | 663 | 1:38 | 7.3 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 7 | G. Kopprasch | 78 | 1:15 | 1.2 | 1 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 8 | G. Kopprasch | 203 | 0:37 | 5.5 | 2 |
| 60 Studies for Low Horn · Op.6 · Kopprasch 9 | G. Kopprasch | 324 | 1:05 | 5.2 | 2 |
| 7. Mentr'ameranno i nudi pesci l'onde | Philippe de Monte | 189 | 1:48 | 2.1 | 2 |
| 8 Petites Pièces for Guitar, No. 1 · Op. 3 No. 1 | Dionisio Aguado | 325 | 0:47 | 7.1 | 5 |
| 8 Petites Pièces for Guitar, No. 2 · Op. 3 No. 2 | Dionisio Aguado | 320 | 0:59 | 6.0 | 4 |
| 8 Petites Pièces for Guitar, No. 3 · Op. 3 No. 3 | Dionisio Aguado | 211 | 0:33 | 7.0 | 5 |
| 8 Petites Pièces for Guitar, No. 4 · Op. 3 No. 4 | Dionisio Aguado | 330 | 0:41 | 8.2 | 5 |
| 8 Petites Pièces for Guitar, No. 5 · Op. 3 No. 5 | Dionisio Aguado | 364 | 0:58 | 6.4 | 4 |
| 8 Petites Pièces for Guitar, No. 6 · Op. 3 No. 6 | Dionisio Aguado | 235 | 0:35 | 6.8 | 5 |
| 8 Petites Pièces for Guitar, No. 7 · Op. 3 No. 7 | Dionisio Aguado | 377 | 1:03 | 6.4 | 4 |
| 8 Petites Pièces for Guitar, No. 8 · Op. 3 No. 8 | Dionisio Aguado | 261 | 0:36 | 7.2 | 5 |
| 8. Vago monte, fiorite ombrose piagge | Philippe de Monte | 126 | 1:20 | 1.8 | 2 |
| 9 Little Preludes - 1 - C Major · BWV 924 | Johann Sebastian Bach | 227 | 1:12 | 4.1 | 2 |
| 9. O mia lieta ventura, hor quale stella (prima parte) | Philippe de Monte | 178 | 2:08 | 1.6 | 2 |
| A Breeze From Alabama | Scott Joplin | 2,946 | 4:11 | 14.3 | 5 |
| A Child's Wish | G. K. Iliev | 826 | 2:35 | 6.3 | 3 |
| A Little Tune Book | C. J. Brown | 62 | 1:36 | 0.8 | 1 |
| A Little Tune Book · No. 1 | C. J. Brown | 74 | 2:38 | 0.7 | 1 |
| A Little Tune Book · No. 10 | C. J. Brown | 119 | 2:40 | 0.9 | 1 |
| A Little Tune Book · No. 2 | C. J. Brown | 84 | 1:51 | 0.9 | 1 |
| A Little Tune Book · No. 3 | C. J. Brown | 80 | 1:35 | 1.0 | 1 |
| A Little Tune Book · No. 4 | C. J. Brown | 133 | 2:02 | 1.3 | 1 |
| A Little Tune Book · No. 5 | C. J. Brown | 105 | 2:12 | 1.0 | 1 |
| A Little Tune Book · No. 6 | C. J. Brown | 148 | 2:12 | 1.4 | 1 |
| A Little Tune Book · No. 7 | C. J. Brown | 202 | 2:00 | 2.0 | 1 |
| A Little Tune Book · No. 8 | C. J. Brown | 297 | 4:20 | 2.1 | 1 |
| A Little Tune Book · No. 9 | C. J. Brown | 164 | 3:06 | 1.2 | 1 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 1 · Op. 2 No. 1 · Bb 2 1 Score Duett | Benjamin Blake | 825 | 7:36 | 2.8 | 2 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 1 · Op. 2 No. 1 · Bb 2 1 Score Minor | Benjamin Blake | 252 | 1:12 | 4.6 | 3 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 1 · Op. 2 No. 1 · Bb 2 1 Score Rondo | Benjamin Blake | 251 | 1:44 | 3.1 | 2 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 2 · Op. 2 No. 2 · Bb 2 2 Score Duett | Benjamin Blake | 729 | 6:20 | 2.8 | 2 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 2 · Op. 2 No. 2 · Bb 2 2 Score Minue | Benjamin Blake | 357 | 2:48 | 3.4 | 2 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 3 · Op. 2 No. 3 · Bb 2 3 Score Duett | Benjamin Blake | 781 | 6:56 | 3.7 | 2 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 3 · Op. 2 No. 3 · Bb 2 3 Score Rondo | Benjamin Blake | 491 | 3:10 | 3.2 | 2 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 4 · Op. 2 No. 4 · Bb 2 4 Score Duett | Benjamin Blake | 737 | 3:16 | 4.8 | 3 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 4 · Op. 2 No. 4 · Bb 2 4 Score Rondo | Benjamin Blake | 420 | 2:24 | 3.7 | 3 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 5 · Op. 2 No. 5 · Bb 2 5 Score Duett | Benjamin Blake | 935 | 3:59 | 5.4 | 3 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 5 · Op. 2 No. 5 · Bb 2 5 Score Minue | Benjamin Blake | 640 | 3:22 | 4.4 | 3 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 6 · Op. 2 No. 6 · Bb 2 6 Score Duett | Benjamin Blake | 855 | 3:46 | 4.9 | 4 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 6 · Op. 2 No. 6 · Bb 2 6 Score Minor | Benjamin Blake | 234 | 1:28 | 3.0 | 2 |
| A Second Sett of Six Duetts for a Violin & Tenor: No. 6 · Op. 2 No. 6 · Bb 2 6 Score Rondo | Benjamin Blake | 263 | 1:21 | 4.9 | 3 |
| A solis ortus (1er verset) | Jean Titelouze | 183 | 2:04 | 1.8 | 3 |
| A Solis ortus (2e verset) | Jean Titelouze | 259 | 2:45 | 2.0 | 3 |
| A Tango Trifle | C. J. Brown | 284 | 2:35 | 2.1 | 1 |
| Aamulla varhain | Traditional | 50 | 0:32 | 1.6 | 4 |
| Aase's Death from Peer Gynt Suite I · O 46, No. 2 | Edvard Grieg | 184 | 3:36 | 2.8 | 3 |
| Abegg Variations | Robert Schumann | 5,617 | 6:11 | 21.8 | 4 |
| Abendempfindung · KV 523 | Wolfgang Amadeus Mozart | 680 | 4:51 | 2.9 | 3 |
| Abendlied | Robert Volkmann | 139 | 0:47 | 3.1 | 4 |
| Abendlied · op. 30, Nr. 2 | Robert Volkmann | 100 | 0:37 | 2.9 | 4 |
| Abendruhe | Wolfgang Amadeus Mozart | 49 | 0:45 | 1.3 | 2 |
| Abschied von der Heimat | Wenzel Müller | 64 | 0:19 | 3.3 | 4 |
| Abschied von der Heimat · Version 2 | Wenzel Müller | 66 | 0:20 | 3.3 | 4 |
| Ach bleib bei uns, Herr Jesu Christ · BWV 649 | Johann Sebastian Bach | 674 | 2:54 | 4.7 | 3 |
| Ach Gott und Herr · BWV 693 | Johann Sebastian Bach | 204 | 2:03 | 2.0 | 2 |
| Ach, was soll ich Sünder machen · BWV 259 | Johann Sebastian Bach | 135 | 0:48 | 3.0 | 3 |
| Ach wie nichtig, ach wie flüchtig · BWV 644 | Johann Sebastian Bach | 174 | 0:42 | 5.2 | 4 |
| Acte II, Scene III from Armide | Jean-Baptiste Lully | 384 | 3:22 | 2.6 | 3 |
| Ad Cœnam (2e verset) | Jean Titelouze | 256 | 2:13 | 2.5 | 3 |
| Ad Cœnam (3e verset) | Jean Titelouze | 238 | 2:37 | 2.4 | 3 |
| Adagio and Fugue in C minor · KV 546 · No. 1 | Wolfgang Amadeus Mozart | 174 | 3:54 | 1.4 | 2 |
| Adagio and Fugue in C minor · KV 546 · No. 2 | Wolfgang Amadeus Mozart | 702 | 4:13 | 4.8 | 3 |
| Adagio · O 42-1 | Charles-Marie Widor | 394 | 2:04 | 4.2 | 3 |
| Adelita | Francisco Tárrega | 122 | 0:40 | 3.4 | 4 |
| Adelita · Duo | Francisco Tárrega | 81 | 0:47 | 2.1 | 3 |
| Adeste Fideles | John Francis Wade | 119 | 0:42 | 3.0 | 4 |
| Adeste Fideles (hymntune) | John Francis Wade | 115 | 1:20 | 1.7 | 3 |
| Afterwards | J. W. Mullen | 901 | 4:00 | 4.7 | 5 |
| Agape (hymntune) | C. J. Dickinson | 68 | 0:48 | 1.5 | 3 |
| Agitato da fiere tempeste , Aria from Riccardo primo · HWV 19 | George Frideric Handel | 754 | 2:47 | 6.5 | 3 |
| Agitato (Op. 109) | Friedrich Burgmüller | 851 | 1:31 | 9.8 | 3 |