| O Holy Night (Minuit, chrétiens) | Adolphe Adam | 198 | 1:08 | 3.5 | 5 |
| Miserere mei, Deus | Gregorio Allegri | 264 | 22:31 | 0.5 | 2 |
| Misero pargoletto, Aria from Demofoonte | Leonardo Leo | 458 | 4:06 | 2.5 | 3 |
| Mit Freuden Zart (hymntune) | Anonymous | 110 | 1:24 | 1.4 | 3 |
| Mit Fried und Freud ich fahr dahin · BWV 616 | Johann Sebastian Bach | 251 | 1:18 | 3.9 | 3 |
| Moiré | Klaviero | 4,640 | 2:45 | 47.8 | 5 |
| Moment Musical No. 1 | Franz Schubert | 2,647 | 4:28 | 13.6 | 5 |
| Moment Musical No. 2 | Franz Schubert | 1,653 | 5:18 | 7.2 | 4 |
| Moment Musical No. 3 in F minor | Franz Schubert | 1,058 | 1:44 | 11.6 | 5 |
| Moment Musical No. 4 | Franz Schubert | 2,650 | 5:06 | 10.6 | 5 |
| Moment Musical No. 6 | Franz Schubert | 1,988 | 5:11 | 9.9 | 5 |
| Morceau de Concert pour cor · O94 | Camille Saint-Saëns | 860 | 14:16 | 2.5 | 1 |
| More Love to Thee (hymntune) | William Howard Doane | 80 | 1:04 | 1.4 | 3 |
| Morning Prayer, Op. 39 No. 1 | Pyotr Ilyich Tchaikovsky | 246 | 1:09 | 4.4 | 3 |
| Mozart Horn Concerto No. 1 · K 412 · Piano | Wolfgang Amadeus Mozart | 3,338 | 8:39 | 11.0 | 5 |
| Mozart Horn Concerto No. 1 · K 412 · ScoreMvtI | Wolfgang Amadeus Mozart | 1,379 | 4:46 | 10.2 | 4 |
| Horn Concerto No. 1 (K. 412), 2nd movement | Wolfgang Amadeus Mozart | 998 | 3:01 | 8.2 | 3 |
| Mozart Horn Concerto No. 2 · K 417 · ScoreMvtI | Wolfgang Amadeus Mozart | 1,354 | 7:01 | 6.4 | 3 |
| Mozart Horn Concerto No. 2 · K 417 · ScoreMvtII | Wolfgang Amadeus Mozart | 258 | 3:31 | 2.1 | 2 |
| Mozart Horn Concerto No. 2 · K 417 · ScoreMvtIII | Wolfgang Amadeus Mozart | 656 | 3:23 | 4.4 | 4 |
| Mozart Horn Concerto No.3 · K 447 | Wolfgang Amadeus Mozart | 9,686 | 14:17 | 22.2 | 5 |
| Mozart Horn Concerto No.4 · K 495 | Wolfgang Amadeus Mozart | 10,524 | 15:39 | 23.6 | 5 |
| Mueller (hymntune) | James Ramsey Murray | 87 | 0:48 | 1.9 | 3 |
| Murasaki | Traditional | 154 | 1:11 | 2.4 | 1 |
| Musette | Johann Sebastian Bach | 91 | 0:20 | 4.6 | 3 |
| Musicalisches Opfer, Ricercare · BWV 1079 | Johann Sebastian Bach | 1,396 | 6:09 | 5.3 | 4 |
| Musiche per la Maddalena | Claudio Monteverdi | 30 | 0:34 | 1.2 | 3 |
| Musiche per la Maddalena · No. 1 | Claudio Monteverdi | 47 | 0:50 | 1.2 | 2 |
| Musiche per la Maddalena · No. 2 | Claudio Monteverdi | 104 | 1:55 | 1.3 | 2 |
| Musiche per la Maddalena · No. 3 | Claudio Monteverdi | 159 | 1:44 | 2.0 | 3 |
| Musiche per la Maddalena · No. 4 | Claudio Monteverdi | 124 | 1:55 | 1.5 | 3 |
| Musiche per la Maddalena · No. 5 | Claudio Monteverdi | 36 | 0:14 | 2.5 | 3 |
| Musiche per la Maddalena · No. 6 | Claudio Monteverdi | 26 | 0:09 | 2.9 | 3 |
| Musikalisches Opfer, Ricercare a 6 · BWV 1079 | Johann Sebastian Bach | 553 | 6:52 | 2.9 | 3 |
| My Mother's Old Red Shawl | C. Moreland | 250 | 1:20 | 4.4 | 4 |
| My Mother's Old Red Shawl · No. 1 | C. Moreland | 83 | 0:32 | 2.8 | 4 |
| Nº1. Halling. | Traditional | 284 | 1:11 | 4.4 | 4 |
| Nº. 1. March by Rossini. | F. Horetzky | 221 | 0:53 | 4.5 | 4 |
| Nº1. Nöring. | Traditional | 282 | 1:25 | 4.7 | 4 |
| Nº. 10. Untitled. | F. Horetzky | 127 | 0:27 | 4.9 | 4 |
| Nº. 11. German Air. | F. Horetzky | 103 | 0:17 | 5.8 | 4 |
| Nº. 12. Russian Hymn. | F. Horetzky | 131 | 0:33 | 4.1 | 4 |
| Nº. 13. John Anderson, My Jo. | F. Horetzky | 150 | 0:34 | 4.5 | 4 |
| Nº. 14. Tyrolian Air. | F. Horetzky | 160 | 0:26 | 6.4 | 4 |
| Nº. 15. Danish Air. | F. Horetzky | 110 | 0:19 | 5.7 | 4 |
| Nº. 16. Cherubini's Air. | F. Horetzky | 103 | 0:26 | 4.1 | 4 |
| Nº. 17. Polish Hymn. | F. Horetzky | 122 | 0:25 | 4.9 | 4 |
| Nº. 18. Kelvin Grove. | F. Horetzky | 123 | 0:26 | 4.8 | 4 |
| Nº. 19. Podolian Air. | F. Horetzky | 149 | 0:32 | 4.8 | 4 |
| Nº2. Bruralaat. | Traditional | 244 | 0:55 | 5.4 | 4 |
| Nº. 2. Rondo | Wenzel Thomas Matiegka | 1,470 | 4:29 | 6.9 | 4 |
| Nº. 2. Russian Air. | F. Horetzky | 224 | 0:37 | 6.3 | 5 |
| Nº. 20. Fra Tante Angoscie. | F. Horetzky | 230 | 0:47 | 4.8 | 4 |
| Nº. 21. Au Clair De la Lune. | F. Horetzky | 129 | 0:32 | 4.1 | 4 |
| Nº. 22. Dutch Air. | F. Horetzky | 191 | 0:47 | 4.5 | 4 |
| Nº. 23. Portuguese Hymn. | F. Horetzky | 180 | 0:54 | 3.9 | 4 |
| Nº. 24. Air by Gelinek. | F. Horetzky | 89 | 0:21 | 4.2 | 4 |
| Nº. 25. Pyrenese Melody. | F. Horetzky | 81 | 0:20 | 3.9 | 4 |
| Nº. 26. Polish Air. | F. Horetzky | 130 | 0:22 | 5.9 | 4 |
| Nº. 27. Scotch Air. | F. Horetzky | 139 | 0:26 | 5.5 | 4 |
| Nº. 28. Pleyel's Hymn. | F. Horetzky | 94 | 0:41 | 2.6 | 4 |
| Nº. 29. Scotch Air. “Donald.” | F. Horetzky | 314 | 0:53 | 6.4 | 4 |
| Nº. 3. Andante | Wenzel Thomas Matiegka | 1,392 | 5:09 | 6.6 | 4 |
| Nº. 3. Andante by Beethoven. | F. Horetzky | 270 | 0:50 | 5.6 | 4 |
| Nº. 30. Sicilian Mariner's Hymn | F. Horetzky | 117 | 0:21 | 5.5 | 4 |
| Nº. 31. Auld Lang Syne. | F. Horetzky | 134 | 0:26 | 5.3 | 4 |
| Nº. 32. German Air. | F. Horetzky | 161 | 0:26 | 6.2 | 4 |
| Nº. 33. Scots Wha Hae Wi' Wallace Bled. | F. Horetzky | 330 | 1:06 | 5.3 | 4 |
| Nº. 34. Vive Henri Quatre. | F. Horetzky | 179 | 0:58 | 3.3 | 4 |
| Nº. 35. Air from the Ballet of Nina. | F. Horetzky | 287 | 1:04 | 4.9 | 4 |
| Nº. 36. Danish Air. | F. Horetzky | 204 | 0:40 | 5.7 | 4 |
| Nº. 37. Post Horn Waltz. | F. Horetzky | 88 | 0:24 | 3.7 | 4 |
| Nº. 38. Old German Air. | F. Horetzky | 104 | 0:21 | 4.9 | 4 |
| Nº. 39. Air. | F. Horetzky | 336 | 1:36 | 3.7 | 3 |
| Nº. 4. Menuetto. | Wenzel Thomas Matiegka | 2,246 | 8:51 | 5.7 | 4 |
| Nº. 4. The Last Rose of Summer. | F. Horetzky | 119 | 0:23 | 5.1 | 4 |
| Nº. 40. Polish Air . Krakoviak. | F. Horetzky | 194 | 0:39 | 5.1 | 4 |
| Nº. 41. Scotch Air. | F. Horetzky | 161 | 0:32 | 5.5 | 4 |
| Nº. 42. Swedish Air. | F. Horetzky | 156 | 0:38 | 4.4 | 4 |
| Nº. 43. Danish Air. | F. Horetzky | 299 | 0:48 | 6.7 | 4 |
| Nº. 44. Il Pleut, Il Pleut, Bergère. | F. Horetzky | 146 | 0:28 | 5.2 | 4 |
| Nº. 45. Rule Britannia. | F. Horetzky | 284 | 0:46 | 6.7 | 5 |
| Nº. 46. “C'est L'Amour” a French Air. | F. Horetzky | 204 | 0:35 | 5.9 | 4 |
| Nº. 47. Scotch Air. | F. Horetzky | 223 | 0:39 | 6.2 | 4 |
| Nº. 48. An Alexis. | F. Horetzky | 173 | 0:49 | 4.1 | 4 |
| Nº. 49. March by Rossini. | F. Horetzky | 290 | 1:06 | 5.2 | 4 |
| Nº. 5. French Air. | F. Horetzky | 178 | 0:53 | 3.8 | 4 |
| Nº. 5. Siciliano. | Wenzel Thomas Matiegka | 1,621 | 5:07 | 7.2 | 4 |
| Nº. 50. Je Suis Lindor. | F. Horetzky | 153 | 0:27 | 5.9 | 4 |
| Nº. 51. Scotch Air. Kelso. | F. Horetzky | 72 | 0:13 | 5.2 | 4 |
| Nº. 52. Polish Air. Krakoviak. | F. Horetzky | 113 | 0:26 | 4.4 | 4 |
| Nº. 53. German Air. | F. Horetzky | 298 | 1:33 | 3.8 | 4 |
| Nº. 54. March by Gallenberg. | F. Horetzky | 175 | 0:52 | 3.6 | 4 |
| Nº. 55. Rousseau's Dream. | F. Horetzky | 192 | 0:53 | 4.0 | 4 |
| Nº. 56. Chanson Des Marseillois. | F. Horetzky | 237 | 1:13 | 3.6 | 4 |
| Nº. 57. Old Saxon Air. | F. Horetzky | 151 | 0:25 | 6.0 | 4 |
| Nº. 58. Sul Margine D'un Rio. | F. Horetzky | 207 | 0:32 | 6.7 | 4 |
| Nº. 59. Venetian Air. “La Biondina”. | F. Horetzky | 238 | 0:49 | 5.0 | 4 |
| Nº. 6. Un Noel. | F. Horetzky | 145 | 0:42 | 3.7 | 4 |
| Nº. 60. Care Pupille By Blangini. | F. Horetzky | 434 | 1:34 | 5.0 | 4 |
| Nº. 7. Le Petit Tambour. | F. Horetzky | 326 | 0:53 | 6.7 | 5 |
| Nº. 8. Russian Air. | F. Horetzky | 105 | 0:26 | 4.2 | 4 |
| Nº. 9. Polish National Air. | F. Horetzky | 148 | 0:24 | 6.2 | 4 |
| Na No Ha | Traditional | 210 | 1:46 | 2.8 | 1 |
| Nacht und Träume · D.827 (Op. 43, No. 2) | Franz Schubert | 667 | 4:38 | 2.9 | 3 |
| Nachtlied · Op. 138, Nr. 3 | Max Reger | 134 | 2:36 | 1.0 | 2 |
| Nachtwache 1 · Op. 104 | Johannes Brahms | 100 | 1:56 | 1.1 | 2 |
| Nähe des Geliebten · D.162 | Franz Schubert | 1,122 | 4:40 | 4.8 | 4 |
| Napolitan Dance (Swan Lake) | Pyotr Ilyich Tchaikovsky | 453 | 1:28 | 6.9 | 5 |
| Near the Cross | William Howard Doane | 96 | 0:51 | 1.9 | 3 |
| Nearer My God to Thee | Lowell Mason | 101 | 1:04 | 2.0 | 4 |
| Nel seggio placido | Saverio Mercadante | 523 | 1:51 | 6.6 | 5 |
| Nelle nubi intorno al Fato , Aria from Deidamia · HWV 42 | George Frideric Handel | 251 | 2:35 | 1.9 | 3 |
| Netteton (hymntune) | John Wyeth | 114 | 0:48 | 2.6 | 4 |
| New Britain (hymntune) | Anonymous | 63 | 0:45 | 1.5 | 3 |
| Nicaea (hymntune) | John Bacchus Dykes | 97 | 1:04 | 1.8 | 3 |
| Night on Bald Mountain | Modest Mussorgsky | 9,313 | 10:10 | 24.0 | 5 |
| Nine German Arias · HWV 202-210 · Score | George Frideric Handel | 268 | 2:10 | 2.8 | 2 |
| Nine German Arias · HWV 202-210 · Score 1 | George Frideric Handel | 508 | 2:36 | 3.5 | 3 |
| Nine German Arias · HWV 202-210 · Score 2 | George Frideric Handel | 396 | 2:10 | 3.6 | 3 |
| Nine German Arias · HWV 202-210 · Score 3 | George Frideric Handel | 266 | 2:10 | 2.6 | 2 |
| Nine German Arias · HWV 202-210 · Score 4 | George Frideric Handel | 411 | 2:27 | 3.8 | 3 |
| Nine German Arias · HWV 202-210 · Score 5 | George Frideric Handel | 420 | 2:47 | 3.7 | 3 |
| Nine German Arias · HWV 202-210 · Score 6 | George Frideric Handel | 345 | 2:17 | 3.6 | 3 |
| Nine German Arias · HWV 202-210 · Score 7 | George Frideric Handel | 365 | 3:19 | 2.7 | 2 |
| Nine German Arias · HWV 202-210 · Score 8 | George Frideric Handel | 362 | 1:49 | 4.3 | 3 |
| Nisshin Danpan | Traditional | 167 | 0:55 | 3.5 | 1 |
| No. 14: Etude · Opus 35, No. 14 | Fernando Sor | 202 | 1:12 | 3.2 | 4 |
| No! Risolvo abbandonar , Aria from Alessandro · HWV 21 | George Frideric Handel | 381 | 2:07 | 4.4 | 3 |
| Nocturne | John Field | 1,074 | 4:17 | 9.8 | 4 |
| Nocturne in D-flat major, Op. 27 No. 2 | Frédéric Chopin | 1,806 | 4:26 | 10.8 | 4 |
| Nocturne in E minor, Op. 72 No. 1 | Frédéric Chopin | 1,100 | 3:14 | 7.1 | 3 |
| Nocturne No. 20 in C# minor (Op. posth.) | Frédéric Chopin | 1,002 | 3:54 | 7.4 | 2 |
| Nocturne Op. 27 No. 1 in C# minor | Frédéric Chopin | 1,633 | 4:41 | 14.5 | 5 |
| Nocturne Op. 27 No. 2 in D♭ | Frédéric Chopin | 1,831 | 5:02 | 10.6 | 4 |
| Nocturne Op. 72 No. 1 in E minor | Frédéric Chopin | 1,100 | 3:14 | 7.2 | 3 |
| Nocturne Op. 9 No. 1 in B♭ minor | Frédéric Chopin | 1,714 | 4:24 | 7.3 | 4 |
| Nocturne in E-flat major, Op. 9 No. 2 | Frédéric Chopin | 1,242 | 3:22 | 7.8 | 4 |
| Nocturne Op. 9 No. 3 in B | Frédéric Chopin | 2,393 | 5:24 | 10.3 | 4 |
| Nocturno, Op.7 | Franz Strauss | 1,180 | 4:36 | 5.4 | 4 |
| Non pensi quell'altera , Aria from Lotario · HWV 26 | George Frideric Handel | 596 | 3:06 | 5.6 | 3 |
| Norwegian Dance (Halling) | Edvard Grieg | 404 | 0:50 | 8.6 | 4 |
| Notte e giorno (Don Giovanni) | Wolfgang Amadeus Mozart | 545 | 1:53 | 7.8 | 4 |
| Noue Bushi | Traditional | 38 | 0:16 | 2.4 | 1 |
| Nouvelle Étude No. 1 in F minor | Frédéric Chopin | 829 | 2:40 | 6.1 | 2 |
| Novellette · Op. 11, Nr. 2 | Nikolai Rimsky-Korsakov | 1,978 | 3:36 | 12.7 | 5 |
| Nun bitten wir den heiligen Geist | Dieterich Buxtehude | 224 | 1:46 | 3.3 | 3 |
| Nun bitten wir den heiligen Geist · BuxWV 209 | Dieterich Buxtehude | 192 | 1:56 | 2.4 | 3 |
| Nun danket alle Gott · BWV 657 | Johann Sebastian Bach | 842 | 3:55 | 5.8 | 4 |
| Nun freut euch, lieben Christen g'mein · BWV 734 | Johann Sebastian Bach | 824 | 2:07 | 6.7 | 3 |
| Nun komm' der Heiden Heiland · BWV 599 | Johann Sebastian Bach | 104 | 0:40 | 2.8 | 3 |
| Nun komm, der Heiden Heiland · BWV 659 | Johann Sebastian Bach | 400 | 4:04 | 2.7 | 3 |
| Nun komm, der Heiden Heiland · BWV 660 | Johann Sebastian Bach | 433 | 2:26 | 3.9 | 3 |
| Nun komm, der Heiden Heiland · BWV 661 | Johann Sebastian Bach | 766 | 2:36 | 6.5 | 4 |
| Nuż my dziś krześcijani (Polish Christmas Carol) | Anonymous | 73 | 0:20 | 3.7 | 4 |
| O come sei gentile, Madrigale a 2 Soprani | Claudio Monteverdi | 485 | 3:43 | 3.7 | 3 |
| O du eselhafter Martin (Jakob) · KV 560b | Wolfgang Amadeus Mozart | 132 | 1:15 | 2.1 | 1 |
| O du eselhafter Martin (Jakob) · KV 560b · No. 1 | Wolfgang Amadeus Mozart | 132 | 1:15 | 2.1 | 1 |
| O-Edo-Nihonbashi | Traditional | 70 | 0:39 | 1.9 | 1 |
| O How Amiable Are Thy Dwellings | Thomas Weelkes | 209 | 2:04 | 2.2 | 3 |
| O Lamm Gottes, unschuldig · BWV 618 | Johann Sebastian Bach | 372 | 3:22 | 2.3 | 3 |
| O Lamm Gottes unschuldig · BWV 656 | Johann Sebastian Bach | 1,403 | 5:45 | 6.4 | 4 |
| O Magnum Mysterium | Tomás Luis de Victoria | 215 | 2:33 | 1.9 | 3 |
| O Mensch, bewein dein' Sünde gross · BWV 622 | Johann Sebastian Bach | 297 | 4:48 | 1.6 | 2 |
| O Mistress Mine | Thomas Morley | 292 | 1:36 | 3.4 | 4 |
| O Morning Star! | George Frederick Root | 271 | 1:07 | 4.7 | 3 |
| O nata lux de lumine | Thomas Tallis | 92 | 2:00 | 0.9 | 2 |
| O nata lux de lumine · B Flat | Thomas Tallis | 92 | 2:00 | 0.9 | 2 |
| O tu ch'innanzi morte (L'Orfeo) | Claudio Monteverdi | 135 | 1:41 | 1.6 | 2 |
| Oats and Beans | Traditional | 40 | 0:18 | 2.2 | 3 |
| Oboe Sonata No. 2 in F (Rondeau) · from Opus 70 | François Devienne | 854 | 2:57 | 7.1 | 3 |
| Oboe Sonata No. 5 in D minor · Opus 71 | François Devienne | 1,039 | 4:42 | 6.4 | 3 |
| Octet · O 20 · 1 1 | Felix Mendelssohn | 738 | 7:35 | 4.1 | 3 |
| Octet · O 20 · 1 2 | Felix Mendelssohn | 1,786 | 5:32 | 16.2 | 4 |
| Octet · O 20 · 1 3 | Felix Mendelssohn | 1,959 | 6:29 | 13.5 | 4 |
| Octet · O 20 · No. 1 | Felix Mendelssohn | 3,640 | 15:58 | 9.4 | 3 |
| Odeon | Ernesto Nazareth | 2,026 | 2:54 | 17.8 | 5 |
| Offertoire | Jean-François Dandrieu | 805 | 3:53 | 5.8 | 4 |
| Oh! Boatman, Haste! | Dan Emmett | 547 | 2:21 | 5.2 | 4 |
| Oki No Taisen | Traditional | 124 | 0:44 | 3.0 | 1 |
| Old 100th | Louis Bourgeois | 66 | 0:24 | 2.8 | 4 |
| Old 100th (original version) | Anonymous | 61 | 0:24 | 2.5 | 4 |
| Old 113th (hymntune) | Matthias Greiter | 94 | 1:04 | 1.8 | 3 |
| Old French Song, Op. 39 No. 16 | Pyotr Ilyich Tchaikovsky | 188 | 0:55 | 3.8 | 3 |
| Olivet (Mason) (hymntune) | Lowell Mason | 73 | 0:56 | 1.6 | 3 |
| Once Upon a Time | Edvard Grieg | 1,572 | 4:14 | 10.7 | 5 |
| Op. 35, Study No. 1 | Fernando Sor | 173 | 0:42 | 4.2 | 3 |
| Op. 35, Study No. 10 | Fernando Sor | 291 | 0:48 | 6.2 | 3 |
| Op. 35, Study No. 11 | Fernando Sor | 250 | 0:43 | 6.0 | 4 |
| Op. 35, Study No. 12 | Fernando Sor | 374 | 0:59 | 7.1 | 4 |
| Op. 35, Study No. 13 | Fernando Sor | 334 | 0:42 | 8.1 | 4 |
| Op. 35, Study No. 15 | Fernando Sor | 245 | 0:31 | 8.0 | 5 |
| Op. 35, Study No. 16 | Fernando Sor | 526 | 1:56 | 5.2 | 4 |
| Op. 35, Study No. 17 | Fernando Sor | 265 | 1:20 | 3.6 | 1 |
| Op. 35, Study No. 18 | Fernando Sor | 308 | 0:53 | 6.0 | 3 |
| Op. 35, Study No. 19 | Fernando Sor | 387 | 1:01 | 7.7 | 4 |
| Op. 35, Study No. 2 | Fernando Sor | 121 | 0:21 | 5.7 | 3 |
| Op. 35, Study No. 20 | Fernando Sor | 500 | 1:31 | 5.6 | 2 |
| Op. 35, Study No. 21 | Fernando Sor | 368 | 0:48 | 7.8 | 5 |
| Op. 35, Study No. 22 | Fernando Sor | 278 | 1:23 | 3.4 | 2 |
| Op. 35, Study No. 23 | Fernando Sor | 296 | 0:29 | 10.0 | 5 |
| Op. 35, Study No. 24 | Fernando Sor | 799 | 2:12 | 6.4 | 2 |
| Op. 35, Study No. 3 | Fernando Sor | 190 | 0:43 | 4.8 | 4 |
| Op. 35, Study No. 4 | Fernando Sor | 254 | 0:54 | 4.9 | 3 |
| Op. 35, Study No. 5 | Fernando Sor | 313 | 0:53 | 6.0 | 2 |
| Op. 35, Study No. 6 | Fernando Sor | 187 | 0:16 | 11.7 | 5 |
| Op. 35, Study No. 7 | Fernando Sor | 740 | 1:46 | 7.9 | 5 |
| Op. 35, Study No. 8 | Fernando Sor | 321 | 0:57 | 6.1 | 3 |
| Op. 35, Study No. 9 | Fernando Sor | 378 | 1:03 | 6.1 | 2 |
| Open My Eyes (hymntune) | C. H. F. Scott | 119 | 0:48 | 2.8 | 4 |
| Opus 29, No. 13 | Fernando Sor | 680 | 3:52 | 3.1 | 1 |
| Opus 50 No. 1 | Mauro Giuliani | 177 | 0:55 | 4.5 | 3 |
| Opus 50 No. 10 | Mauro Giuliani | 143 | 0:25 | 5.7 | 3 |
| Opus 50 No. 11 | Mauro Giuliani | 151 | 0:17 | 8.5 | 4 |
| Opus 50 No. 12 | Mauro Giuliani | 129 | 0:23 | 5.4 | 3 |
| Opus 50 No. 13 | Mauro Giuliani | 161 | 0:17 | 9.4 | 2 |
| Opus 50 No. 14 | Mauro Giuliani | 181 | 0:19 | 9.5 | 4 |
| Opus 50 No. 15 | Mauro Giuliani | 173 | 0:31 | 5.7 | 3 |
| Opus 50 No. 16 | Mauro Giuliani | 196 | 0:17 | 11.3 | 4 |
| Opus 50 No. 17 | Mauro Giuliani | 168 | 0:16 | 10.3 | 5 |
| Opus 50 No. 18 | Mauro Giuliani | 180 | 0:14 | 12.4 | 4 |
| Opus 50 No. 19 | Mauro Giuliani | 200 | 0:30 | 6.8 | 3 |
| Opus 50 No. 2 | Mauro Giuliani | 287 | 0:36 | 8.8 | 4 |
| Opus 50 No. 20 | Mauro Giuliani | 163 | 0:27 | 6.2 | 3 |
| Opus 50 No. 21 | Mauro Giuliani | 201 | 0:44 | 5.0 | 4 |
| Opus 50 No. 22 | Mauro Giuliani | 225 | 0:21 | 10.3 | 4 |
| Opus 50 No. 23 | Mauro Giuliani | 242 | 0:46 | 5.6 | 4 |
| Opus 50 No. 24 | Mauro Giuliani | 253 | 0:20 | 12.3 | 4 |
| Opus 50 No. 25 | Mauro Giuliani | 435 | 0:58 | 8.2 | 5 |
| Opus 50 No. 26 | Mauro Giuliani | 340 | 0:31 | 11.0 | 4 |
| Opus 50 No. 27 | Mauro Giuliani | 263 | 0:38 | 6.9 | 5 |
| Opus 50 No. 28 | Mauro Giuliani | 242 | 0:42 | 5.9 | 4 |
| Opus 50 No. 29 | Mauro Giuliani | 427 | 0:35 | 12.5 | 4 |
| Opus 50 No. 3 | Mauro Giuliani | 182 | 0:29 | 6.6 | 4 |
| Opus 50 No. 30 | Mauro Giuliani | 240 | 0:24 | 9.7 | 4 |
| Opus 50 No. 31 | Mauro Giuliani | 186 | 0:29 | 6.7 | 4 |
| Opus 50 No. 32 | Mauro Giuliani | 367 | 0:36 | 11.2 | 4 |
| Opus 50 No. 4 | Mauro Giuliani | 166 | 0:36 | 4.8 | 3 |
| Opus 50 No. 5 | Mauro Giuliani | 182 | 0:19 | 9.2 | 4 |
| Opus 50 No. 6 | Mauro Giuliani | 250 | 0:38 | 6.8 | 3 |
| Opus 50 No. 7 | Mauro Giuliani | 340 | 0:42 | 8.3 | 4 |
| Opus 50 No. 8 | Mauro Giuliani | 198 | 0:29 | 6.8 | 3 |
| Opus 50 No. 9 | Mauro Giuliani | 226 | 0:30 | 8.1 | 4 |
| Opus Dexter in C major | J. K. Banks | 1,083 | 4:23 | 6.0 | 3 |
| Opus Sinister in G minor | J. K. Banks | 1,499 | 3:57 | 9.0 | 3 |
| Original Rags | Scott Joplin | 1,735 | 3:37 | 8.8 | 5 |
| Ostia | Attila Szervác | 377 | 3:10 | 2.9 | 2 |
| Otsue-Bushi | Traditional | 229 | 1:29 | 3.0 | 1 |
| Ouvertüre | George Frideric Handel | 330 | 1:15 | 5.3 | 4 |
| Ouverture Coriolan · O62 | Ludwig van Beethoven | 1,308 | 8:21 | 5.6 | 4 |
| Ouverture Coriolan · O62 · Bassi Part | Ludwig van Beethoven | 1,235 | 8:21 | 4.8 | 2 |
| Egmont Overture, Op. 84 | Ludwig van Beethoven | 1,379 | 7:58 | 5.7 | 4 |
| Pange Lingua (2e verset) | Jean Titelouze | 419 | 1:51 | 5.7 | 4 |
| Partita 4 · BWV 828 | Johann Sebastian Bach | 1,435 | 4:21 | 7.6 | 3 |
| Partita 4 · BWV 828 · No. 1 | Johann Sebastian Bach | 925 | 3:30 | 6.0 | 3 |
| Partita 4 · BWV 828 · No. 2 | Johann Sebastian Bach | 482 | 1:59 | 5.0 | 3 |
| Partita 4 · BWV 828 · No. 3 | Johann Sebastian Bach | 306 | 1:09 | 5.8 | 4 |
| Partita 4 · BWV 828 · No. 4 | Johann Sebastian Bach | 565 | 2:16 | 5.4 | 3 |
| Partita 4 · BWV 828 · No. 5 | Johann Sebastian Bach | 170 | 0:50 | 4.0 | 4 |
| Partita 4 · BWV 828 · No. 6 | Johann Sebastian Bach | 688 | 2:23 | 6.4 | 3 |
| Partita I for Solo Violin · BWV 1002 · Cello | Johann Sebastian Bach | 536 | 3:14 | 3.2 | 3 |
| Partita I for Solo Violin · BWV 1002 · Cello 1 | Johann Sebastian Bach | 380 | 1:15 | 5.2 | 1 |
| Partita I for Solo Violin · BWV 1002 · Cello 2 | Johann Sebastian Bach | 476 | 1:50 | 4.5 | 1 |
| Partita I for Solo Violin · BWV 1002 · Cello 3 | Johann Sebastian Bach | 955 | 2:12 | 7.4 | 2 |
| Partita I for Solo Violin · BWV 1002 · Cello 4 | Johann Sebastian Bach | 268 | 1:48 | 2.9 | 4 |
| Partita I for Solo Violin · BWV 1002 · Cello 5 | Johann Sebastian Bach | 299 | 1:05 | 4.7 | 1 |
| Partita I for Solo Violin · BWV 1002 · Cello 6 | Johann Sebastian Bach | 533 | 1:56 | 5.2 | 4 |
| Partita I for Solo Violin · BWV 1002 · Cello 7 | Johann Sebastian Bach | 554 | 1:41 | 5.9 | 2 |
| Partita in a minor · BWV 1013 | Johann Sebastian Bach | 735 | 3:07 | 4.1 | 1 |
| Partita in a minor · BWV 1013 · No. 1 | Johann Sebastian Bach | 669 | 3:06 | 4.1 | 1 |
| Partita in a minor · BWV 1013 · No. 2 | Johann Sebastian Bach | 301 | 2:18 | 2.9 | 1 |
| Partita in a minor · BWV 1013 · No. 3 | Johann Sebastian Bach | 412 | 2:20 | 3.3 | 1 |
| Parto ti lascio, Aria from Il Germanico | Nicola Porpora | 626 | 5:19 | 2.7 | 3 |
| Passacaglia · BWV 582 | Johann Sebastian Bach | 4,358 | 12:17 | 12.0 | 5 |
| Passacaglia · BWV 582 (string quartet) | Johann Sebastian Bach | 1,585 | 12:11 | 5.1 | 3 |
| Passaggier che su la sponda, Aria from Semiramide riconosciuta | Nicola Porpora | 685 | 3:52 | 5.5 | 3 |
| Passepied (et Menuet) | George Frideric Handel | 87 | 0:18 | 4.8 | 4 |
| Passepied (Suite bergamasque) | Claude Debussy | 2,144 | 3:37 | 14.0 | 5 |
| Pathétique Sonata, 1st movement | Ludwig van Beethoven | 5,954 | 9:19 | 18.8 | 4 |
| Pathétique Sonata, 2nd movement (Adagio cantabile) | Ludwig van Beethoven | 1,641 | 5:05 | 10.8 | 5 |
| Pathétique Sonata, 3rd movement (Rondo) | Ludwig van Beethoven | 2,395 | 4:16 | 13.1 | 4 |
| Pavan 2 | Luis de Milán | 204 | 0:57 | 3.9 | 4 |
| Pavan: Belle qui tiens ma Vie | Thoinot Arbeau | 96 | 0:24 | 4.0 | 3 |
| Pavane · Op. 50 | Gabriel Fauré | 336 | 2:48 | 2.2 | 2 |
| Peacherine Rag | Scott Joplin | 1,425 | 2:13 | 13.0 | 5 |
| Perger Präludium | Anton Bruckner | 76 | 1:16 | 1.2 | 4 |
| Petite Prélude No. 9 · BWV 928 | Johann Sebastian Bach | 408 | 1:23 | 5.2 | 5 |
| Petite Suite · In the Monastery | Alexander Borodin | 655 | 4:18 | 7.4 | 4 |
| Petite Suite · Intermezzo | Alexander Borodin | 1,094 | 2:43 | 8.3 | 4 |
| Petite Suite · Serenade | Alexander Borodin | 829 | 1:50 | 9.2 | 5 |
| Phaéton | Jean-Baptiste Lully | 315 | 1:35 | 5.0 | 3 |
| Phaéton · No. 1 | Jean-Baptiste Lully | 134 | 0:55 | 2.7 | 3 |
| Phaéton · No. 10 | Jean-Baptiste Lully | 315 | 1:35 | 5.1 | 3 |
| Phaéton · No. 11 | Jean-Baptiste Lully | 172 | 1:25 | 2.2 | 3 |
| Phaéton · No. 12 | Jean-Baptiste Lully | 613 | 4:33 | 3.1 | 2 |
| Phaéton · No. 13 | Jean-Baptiste Lully | 558 | 3:55 | 3.4 | 2 |
| Phaéton · No. 14 | Jean-Baptiste Lully | 557 | 4:01 | 3.0 | 2 |
| Phaéton · No. 15 | Jean-Baptiste Lully | 534 | 3:03 | 4.0 | 3 |
| Phaéton · No. 16 | Jean-Baptiste Lully | 64 | 0:29 | 2.6 | 2 |
| Phaéton · No. 17 | Jean-Baptiste Lully | 240 | 1:39 | 2.9 | 3 |
| Phaéton · No. 18 | Jean-Baptiste Lully | 122 | 0:30 | 4.2 | 3 |
| Phaéton · No. 19 | Jean-Baptiste Lully | 110 | 0:54 | 2.3 | 2 |
| Phaéton · No. 2 | Jean-Baptiste Lully | 221 | 1:48 | 2.8 | 2 |
| Phaéton · No. 20 | Jean-Baptiste Lully | 331 | 2:46 | 3.2 | 3 |
| Phaéton · No. 21 | Jean-Baptiste Lully | 51 | 0:24 | 2.1 | 2 |
| Phaéton · No. 22 | Jean-Baptiste Lully | 202 | 1:45 | 2.4 | 3 |
| Phaéton · No. 23 | Jean-Baptiste Lully | 135 | 0:46 | 3.1 | 3 |
| Phaéton · No. 24 | Jean-Baptiste Lully | 35 | 0:13 | 2.6 | 3 |
| Phaéton · No. 25 | Jean-Baptiste Lully | 466 | 3:21 | 2.6 | 2 |
| Phaéton · No. 26 | Jean-Baptiste Lully | 289 | 3:06 | 2.5 | 2 |
| Phaéton · No. 27 | Jean-Baptiste Lully | 264 | 2:49 | 2.3 | 2 |
| Phaéton · No. 28 | Jean-Baptiste Lully | 580 | 3:50 | 3.5 | 2 |
| Phaéton · No. 29 | Jean-Baptiste Lully | 91 | 0:37 | 2.6 | 3 |
| Phaéton · No. 3 | Jean-Baptiste Lully | 72 | 0:26 | 2.8 | 3 |
| Phaéton · No. 30 | Jean-Baptiste Lully | 384 | 2:35 | 5.3 | 3 |
| Phaéton · No. 31 | Jean-Baptiste Lully | 540 | 2:32 | 4.1 | 3 |
| Phaéton · No. 32 | Jean-Baptiste Lully | 103 | 0:27 | 3.9 | 3 |
| Phaéton · No. 33 | Jean-Baptiste Lully | 223 | 1:18 | 3.2 | 3 |
| Phaéton · No. 34 | Jean-Baptiste Lully | 103 | 0:27 | 3.8 | 3 |
| Phaéton · No. 35 | Jean-Baptiste Lully | 604 | 4:44 | 2.9 | 2 |
| Phaéton · No. 36 | Jean-Baptiste Lully | 158 | 1:24 | 2.3 | 3 |
| Phaéton · No. 37 | Jean-Baptiste Lully | 640 | 4:17 | 3.8 | 3 |
| Phaéton · No. 38 | Jean-Baptiste Lully | 64 | 0:27 | 2.5 | 3 |
| Phaéton · No. 39 | Jean-Baptiste Lully | 142 | 1:00 | 2.4 | 3 |
| Phaéton · No. 4 | Jean-Baptiste Lully | 517 | 2:20 | 6.1 | 3 |
| Phaéton · No. 40 | Jean-Baptiste Lully | 335 | 3:03 | 2.3 | 3 |
| Phaéton · No. 41 | Jean-Baptiste Lully | 130 | 0:53 | 2.6 | 2 |
| Phaéton · No. 42 | Jean-Baptiste Lully | 172 | 0:36 | 5.3 | 3 |
| Phaéton · No. 43 | Jean-Baptiste Lully | 239 | 1:41 | 2.6 | 2 |
| Phaéton · No. 44 | Jean-Baptiste Lully | 77 | 0:45 | 1.9 | 3 |
| Phaéton · No. 45 | Jean-Baptiste Lully | 95 | 1:03 | 3.0 | 3 |
| Phaéton · No. 46 | Jean-Baptiste Lully | 638 | 4:35 | 2.9 | 3 |
| Phaéton · No. 47 | Jean-Baptiste Lully | 195 | 1:13 | 3.3 | 3 |
| Phaéton · No. 48 | Jean-Baptiste Lully | 223 | 1:31 | 2.6 | 3 |
| Phaéton · No. 49 | Jean-Baptiste Lully | 36 | 0:15 | 2.3 | 2 |
| Phaéton · No. 5 | Jean-Baptiste Lully | 339 | 2:41 | 3.8 | 3 |
| Phaéton · No. 50 | Jean-Baptiste Lully | 128 | 0:48 | 2.9 | 3 |
| Phaéton · No. 51 | Jean-Baptiste Lully | 183 | 1:27 | 2.3 | 3 |
| Phaéton · No. 52 | Jean-Baptiste Lully | 423 | 1:31 | 6.8 | 3 |
| Phaéton · No. 53 | Jean-Baptiste Lully | 253 | 1:51 | 2.8 | 2 |
| Phaéton · No. 54 | Jean-Baptiste Lully | 109 | 1:10 | 1.8 | 3 |
| Phaéton · No. 55 | Jean-Baptiste Lully | 422 | 2:53 | 3.2 | 2 |
| Phaéton · No. 56 | Jean-Baptiste Lully | 444 | 2:18 | 4.0 | 3 |
| Phaéton · No. 57 | Jean-Baptiste Lully | 72 | 0:33 | 2.2 | 3 |
| Phaéton · No. 58 | Jean-Baptiste Lully | 57 | 0:23 | 2.5 | 3 |
| Phaéton · No. 59 | Jean-Baptiste Lully | 146 | 1:04 | 2.6 | 2 |
| Phaéton · No. 6 | Jean-Baptiste Lully | 324 | 1:25 | 7.0 | 4 |
| Phaéton · No. 60 | Jean-Baptiste Lully | 141 | 1:09 | 2.7 | 3 |
| Phaéton · No. 61 | Jean-Baptiste Lully | 420 | 3:30 | 2.7 | 2 |
| Phaéton · No. 62 | Jean-Baptiste Lully | 266 | 1:49 | 2.6 | 3 |
| Phaéton · No. 63 | Jean-Baptiste Lully | 64 | 0:24 | 2.7 | 3 |
| Phaéton · No. 64 | Jean-Baptiste Lully | 255 | 1:54 | 2.6 | 3 |
| Phaéton · No. 65 | Jean-Baptiste Lully | 137 | 0:55 | 2.7 | 2 |
| Phaéton · No. 66 | Jean-Baptiste Lully | 161 | 0:44 | 4.8 | 3 |
| Phaéton · No. 67 | Jean-Baptiste Lully | 189 | 1:19 | 3.1 | 2 |
| Phaéton · No. 68 | Jean-Baptiste Lully | 224 | 0:54 | 4.8 | 3 |
| Phaéton · No. 69 | Jean-Baptiste Lully | 70 | 0:36 | 2.0 | 3 |
| Phaéton · No. 7 | Jean-Baptiste Lully | 99 | 0:39 | 2.7 | 3 |
| Phaéton · No. 8 | Jean-Baptiste Lully | 142 | 0:45 | 3.5 | 3 |
| Phaéton · No. 9 | Jean-Baptiste Lully | 450 | 2:27 | 3.6 | 3 |
| Piano Concerto No. 23 · KV 488 · MozartWA KV488 Midi 1 Allegr | Wolfgang Amadeus Mozart | 2,123 | 9:56 | 8.3 | 4 |
| Piano Concerto No. 23 · KV 488 · MozartWA KV488 Midi 2 Andant | Wolfgang Amadeus Mozart | 466 | 7:00 | 2.9 | 3 |
| Piano Concerto No. 3 in C Minor (1st Movement: Allegro con brio) · Op. 37 | Ludwig van Beethoven | 2,204 | 13:25 | 8.3 | 4 |
| Piano Quartet KV 478 · Piano | Wolfgang Amadeus Mozart | 1,893 | 7:59 | 6.9 | 4 |
| Piano Quartet KV 478 · Score | Wolfgang Amadeus Mozart | 1,893 | 7:59 | 6.9 | 4 |
| Piano Sonata in C Major - KV 309 (1st Part) | Wolfgang Amadeus Mozart | 2,378 | 4:15 | 13.0 | 4 |
| Piano Sonata No. 14 in C minor (K. 457), 1st movement | Wolfgang Amadeus Mozart | 2,160 | 4:23 | 10.9 | 4 |
| Piano Sonata in C Minor - KV. 457 (2nd Movement) | Wolfgang Amadeus Mozart | 1,860 | 6:46 | 6.2 | 3 |
| Piano Sonata in C Minor - KV. 457 (3rd Movement) | Wolfgang Amadeus Mozart | 2,168 | 7:14 | 7.2 | 3 |
| Piano Trio Opus 11 (1st Movement) | Ludwig van Beethoven | 1,996 | 6:56 | 9.1 | 4 |
| Piano Trio Opus 11 (3rd Movement) | Ludwig van Beethoven | 1,796 | 5:33 | 16.0 | 5 |
| Pictures at an Exhibition · All 12 | Modest Mussorgsky | 134 | 1:29 | 2.0 | 4 |
| Pictures at an Exhibition · All 4 | Modest Mussorgsky | 159 | 0:28 | 6.2 | 5 |
| Pictures at an Exhibition · Ballet | Modest Mussorgsky | 1,137 | 1:16 | 18.0 | 5 |
| Pictures at an Exhibition · Catacombae | Modest Mussorgsky | 134 | 1:29 | 2.0 | 4 |
| Pictures at an Exhibition · Great Gate | Modest Mussorgsky | 2,486 | 5:15 | 13.2 | 5 |
| Pictures at an Exhibition · Limoges | Modest Mussorgsky | 1,681 | 1:24 | 21.9 | 5 |
| Pictures at an Exhibition · Promenade 1 | Modest Mussorgsky | 675 | 1:34 | 9.6 | 5 |
| Pictures at an Exhibition · Promenade 2 | Modest Mussorgsky | 213 | 0:44 | 5.8 | 4 |
| Pictures at an Exhibition · Promenade 3 | Modest Mussorgsky | 159 | 0:28 | 6.2 | 5 |
| Pictures at an Exhibition · Promenade 4 | Modest Mussorgsky | 216 | 0:52 | 4.6 | 4 |
| Pictures at an Exhibition · Promenade 5 | Modest Mussorgsky | 726 | 1:36 | 10.4 | 5 |
| Pictures at an Exhibition · Promenade 6 | Modest Mussorgsky | 1,207 | 1:37 | 13.2 | 4 |
| Pictures at an Exhibition, Bydło | Modest Mussorgsky | 980 | 2:49 | 7.8 | 5 |
| Pictures at an Exhibition, Promenade | Modest Mussorgsky | 1,656 | 3:30 | 15.0 | 5 |
| Pictures at an Exhibition, The Great Gate of Kiev | Modest Mussorgsky | 5,339 | 7:14 | 19.8 | 5 |
| Pictures at an Exhibition, The Old Castle | Modest Mussorgsky | 1,371 | 4:52 | 7.9 | 4 |
| Pictures at an Exhibition, Tuileries | Modest Mussorgsky | 813 | 1:27 | 11.4 | 5 |
| Pictures at an Exhibition, Two Jews | Modest Mussorgsky | 849 | 1:59 | 13.2 | 4 |
| Pineapple Rag | Scott Joplin | 2,483 | 2:57 | 17.1 | 5 |
| Heroic Polonaise, Op. 53 | Frédéric Chopin | 6,052 | 5:53 | 22.2 | 5 |
| Polonaise in D minor | Johann Sebastian Bach | 165 | 0:45 | 4.0 | 2 |
| Polonaise in F major | Johann Sebastian Bach | 235 | 0:48 | 5.2 | 3 |
| Polonaise in F major · BWV Anh. 117b | Johann Sebastian Bach | 241 | 0:48 | 5.4 | 2 |
| Polonaise in G minor | Johann Sebastian Bach | 148 | 0:48 | 3.5 | 2 |
| Popule Meus · Op. 7, No. 2 | Juozas Naujalis | 219 | 4:12 | 1.2 | 2 |
| Possum And Taters | Charles Hunter | 1,229 | 2:57 | 8.4 | 5 |
| Praeambulum A. 5. Vocum | Matthias Weckmann | 1,123 | 5:16 | 7.9 | 4 |
| Praeambulum no.13 in G | Heinrich Scheidemann | 865 | 6:16 | 3.8 | 3 |
| Praeambulum no.3 in d | Heinrich Scheidemann | 101 | 0:50 | 2.6 | 3 |